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All content by Joshua Lee
The 62nd New York Film Festival is a cinephile’s Christmas come early
Joshua Lee
December 5, 2024
Read Story
“Megalopolis” and “The Substance” are two of this year’s craziest films
Joshua Lee
November 14, 2024
Read Story
10 years on, “Whiplash” is as breathtaking as it is misunderstood
Joshua Lee
September 23, 2024
Read Story
“Beetlejuice Beetlejuice” is Burton’s best film in over a decade, but that’s a low bar
Joshua Lee
September 18, 2024
Read Story
Exploring how SBU’s media consumption has changed over the last decade
Joshua Lee
April 29, 2024
Read Story
“Ghostbusters: Frozen Empire”: when a franchise cannibalizes itself
Joshua Lee
April 28, 2024
Read Story
“Love Lies Bleeding” takes a million swings, and they all pay off — except one
Joshua Lee
April 17, 2024
Read Story
The joyful, horrifying and toxic experience of winning an Oscar
Joshua Lee
March 19, 2024
Read Story
“Madame Web” is a disaster of indescribable proportions
Joshua Lee
March 1, 2024
Read Story
“The Zone of Interest” is unlike anything you have ever seen
Joshua Lee
February 11, 2024
Read Story
The Frankensteinian “Poor Things” is Yorgos Lanthimos’ magnum opus
Joshua Lee
January 19, 2024
Read Story
“Saltburn” is a narrative trainwreck that you can’t look away from
Joshua Lee
December 23, 2023
Read Story
“The Holdovers” is a cute, innocent film that overly fetishizes a vintage outlook of the past
Joshua Lee
November 21, 2023
Read Story
The best film masterpiece of the year and one of the most frustrating: New York Film Festival screenings review
Joshua Lee
November 3, 2023
Read Story
The flaws and promises of “The Creator”: Hollywood’s obsession with nostalgia and IP
Joshua Lee
October 16, 2023
Read Story
A “Haunting in Venice” leaves viewers more tilted than thrilled
Joshua Lee
October 1, 2023
Read Story
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