Director Masaaki Yuasa fuses rock and roll with 14th-century Japanese culture in his animated film “Inu-Oh,” which was screened on Nov. 17 as part of the Charles B. Wang Center’s fall film showings. The film is based on the Japanese novel “Tales of the Heike: Inu-Oh” by Hideo Furukawa.
Director Jessica Yu’s 2023 film “Quiz Lady” achieves national success by subverting the established personas of its stars, allowing them to redefine their images in this heartfelt comedy.
Nia DaCosta’s latest addition to the Marvel Cinematic Universe (MCU), “The Marvels,” debuted on Nov. 10 and frankly, I would rate this movie a four and a half out of five stars. The film does not intend to be the next big MCU project; rather, it is simply an enjoyable, satisfying movie.
Throughout his career, director Alexander Payne has examined broken and morally reprehensible people with a thick coat of dry-wit humor Payne’s latest effort, “The Holdovers,” is no exception to this. And even if it’s not a perfect film, it might be the best we’ve seen from the 62-year-old director.
“Taylor Swift: The Eras Tour” graced screens on Oct. 13, 2023 and earned more than $200 million at box offices around the world. Taylor Swift, in all her greatness, did not disappoint in this musical documentary.
Clare Gehlich, Assistant Arts and Culture Editor
• November 19, 2023
Due to renewed interest in cutting-edge technology, such as artificial intelligence (AI) and increased Internet accessibility — which generates climate change awareness — the desire for escapism has impacted the rise of the science fiction (sci-fi) genre.
This year, artificial intelligence (AI) has taken the internet by storm and is now infiltrating the music and film industries. The sensational technology began with picture generators such as DALL-E mini.
“Loki” season two knocks season one out of the park in every way: character development, plot, cinematography and acting. Since its initial premiere in 2021, the superhero series “Loki” continues to be produced as a standalone franchise.
Four years after “The Irishman,” Martin Scorsese has returned with another sprawling three-and-a-half-hour true crime epic. Based on the historical novel of the same name, his new venture, “Killers of the Flower Moon,” tells the story of the Osage Indian murders.
The Charles B. Wang Center featured the Chinese animated blockbuster “New Gods: Yang Jian” for its second film screening of the semester on Oct. 27. This film is the second in the franchise from Beijing-based Light Chaser Animation and is directed by Ji Zhao, who is most known for “White Snake” and “New Gods: Nezha Reborn.”
These films were screened at the 61st New York Film Festival. “All of Us Strangers” will have a theatrical release on Dec. 22, 2023, while “Priscilla” will have a limited release on Oct. 27, 2023 before theatrically expanding nationally on Nov. 3, 2023.
While everyone can use some nostalgia, Hollywood’s recent obsession with established I.P. leaves little room for original stories, especially at the blockbuster level. This brings us to Gareth Edwards and “The Creator,” with its attempt to stray away from Hollywood’s unrelenting pattern of adaptations, remakes and sequels.
