“Megalopolis” and “The Substance” are two of this year’s craziest films
Joshua Lee
• November 14, 2024
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“Venom: The Last Dance” is Sony’s best attempt at pulling off an MCU-worthy film
Sarah Chaudhry, Assistant Arts & Culture Editor
• November 8, 2024
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“The Apprentice” succeeds at capturing the era of Trump in one distinct picture.
Kenneth Gao
• November 5, 2024
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“Transformers One” review: The origin story “Transformers” fans have been waiting for
Sarah Chaudhry, Assistant Arts & Culture Editor
• September 30, 2024
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“Beetlejuice Beetlejuice” is Burton’s best film in over a decade, but that’s a low bar
Joshua Lee
• September 18, 2024
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“The Fall Guy” is a must-see for the avid action movie viewer
Sarah Chaudhry, Assistant Arts and Culture Editor
• June 5, 2024
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“Quiz Lady” redefines star personas with heartfelt comedy
Patrick Larkin
• December 3, 2023
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When the drama offscreen is better than on: “Don’t Worry Darling” movie review
Aneesah Khandaker
• October 11, 2022
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