
A day of song, dance and nostalgia at “Taylor Swift: The Eras Tour”
Sudhiksha Krishna Kumar
• November 21, 2023
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The soaring popularity of sci-fi in modern culture
Clare Gehlich, Assistant Arts and Culture Editor
• November 19, 2023
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University’s Symphony Orchestra electrifies the Staller stage
Christina Marie Mariani
• November 13, 2023
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Dissecting the Osage Indian murders in Martin Scorsese’s latest film “Killers of the Flower Moon”
Patrick Larkin
• November 12, 2023
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Electronic musical duo smle’s journey from dreams to Grammy nominations
Alexander Noll
• November 12, 2023
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Mariel Loveland takes on societal norms in solo project Best Ex’s debut album “With a Smile”
Clare Gehlich, Assistant Arts and Culture Editor
• November 9, 2023
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Stony Brook University’s new conlangs course explores fictional languages
Clare Gehlich
• October 27, 2023
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Reimagining tradition: Park Dae Sung’s ink art at the Wang Center
Clare Gehlich
• October 15, 2023
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An ode to love and loss: Exploring Del Water Gap’s album “I Miss You Already + I Haven’t Left Yet”
Clare Gehlich
• October 15, 2023
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“Surviving Summer” Season 2 rides the waves of teenage melodrama
Clare Gehlich
• October 1, 2023
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